Here some further links, by co-organizers and participants:
http://www.aa-vv.org/?Evaluation
http://www.aa-vv.org/?Secrethihistory
http://www.aa-vv.org/?lathshnev_movie
http://www.aa-vv.org/?lathshnev_day1
http://www.igneous.org.au/Lathshnev.html
http://pinkblackpantera.wordpress.com/2009/09/30/lasttheatreshowever/
a call for change. a request for making theatre end. theatre as an unsettled environment for performing. the disruption of the action, actions that are disruptive. like waiting. simply waiting.
like the request long ago to open the windows and to keep them open. to let some real world in. the contemporary in 2 senses - what is happening today and the way it could have happened today.
Since we were mentioning Oskar Hansen and his Open Form methods, here a couple of references and a recent article about it:
http://open-form.blogspot.com/2009/01/original-1959-open-form-manifesto....
http://www.burundi.sk/monoskop/index.php/Oskar_Hansen
http://www.culture.pl/pl/culture/artykuly/os_hansen_oskar
http://pl.wikipedia.org/wiki/Oskar_Hansen
Download an article from:
"1 , 2 , 3 . . . Avant-gardes: Film / Art between Experiment and Archive"
eds. Lukasz Ronduda, Florian Zeyfang -- pp. 88-103.
2007 CCA Ujazdowskie Castle Warsaw + Sternberger Press Berlin
LETMÝ DÍLO
A proposal for a schedule
for the preparatory workshop at Letní Dílny, 24-25-26 August 2009, Praha/Bubeneč.
WHAT?
PROPOSAL FOR A SIMPLE A METHOD
(homage to oskar hansen's open form)
THE LAST THEATRE SHOW EVER!
or how to dismantle theatre by making an electro-digital instrument out of it.
a collaboration between Gívan Belá and Natalia Borissova.
Natalia, since we know each other for such a long time, and not too well at the same time, and yes since we like and at that same same time irritate one another [both make up the whole time], but somehow that whole whole time are both having fun in creating things, though living on different tracks, and are fighting to keep working on our separate tracks, maybe we could go from watching out of windows for minutes or hours, or from writing in towers and observing that, or from making workshops together, to making a larger collaborative piece, not us